Altered Perception
Through each installment, this body of work examines the shifting nature of reality via subjective perception and the fluidity of identity, examining the relationship between why and what we see.
The familiar is abstracted, leaving behind a reminder that perception is ever-changing.
Blind Thought
Decay alters the nature of memory, thought, and self. As bodies weaken and recollections fray, what once seemed stable becomes unfamiliar, partial, refigured.
Deterioration does not build something new; it exposes the instability that was always there, reframing what remains through the lens of fragility.
In this suspended space, clarity becomes suspect, and tenderness arises not from healing, but from a quiet acceptance of impermanence.
Second-Person
An encounter with yourself, but displaced—where your gaze controls another body, another perspective. This is a 2nd person immersion: not quite you and not quite not them.
The face you move is not your own, yet it mirrors your motion. You steer, and something else responds. Through fragmented presence and digital mimicry, the self becomes a mechanism—externalized, detached, and oddly familiar.
In seeing yourself steer something else, you glimpse the edges of agency, of embodiment, of who is really moving who.
Wrap
Two-dimension images extrapolated into three dimensions, morphed and bent to adhere to sculptural contours, showcasing the malleability of my own identify and memory; each molded by external influences and experiences.
This transformation reflects how my own memories can be reshaped and recontextualized. Understanding their significance requires a multifaceted approach, acknowledging that perceptions are constantly evolving and influenced by the interplay between past and present.
Edition of 1