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Overlaid with topographic laser scans, the photographs are re-read as terrain - acting as a framework for reevaluation. The black and white imprint left behind becomes a kind of permanent echo: not just of what was seen, but of how it was felt, interpreted, and eventually transformed.
The scans fracture and reconstitute the images, rendering them familiar yet altered. Documentation in which the act itself modifies the original - a record of internal motion mapped through the surfaces of external things.
The work emerged from a need to understand the dissonance between the reality of an object or a moment, its objective nature, and the meaning it takes on over time. These images hold space for that in-between: where growth is often imperceptible until viewed from a distance, and the past begins to look like a place that was always trying to lead somewhere new.
Overlaid with topographic laser scans, the photographs are re-read as terrain - acting as a framework for reevaluation. The black and white imprint left behind becomes a kind of permanent echo: not just of what was seen, but of how it was felt, interpreted, and eventually transformed.
The scans fracture and reconstitute the images, rendering them familiar yet altered. Documentation in which the act itself modifies the original - a record of internal motion mapped through the surfaces of external things.
The work emerged from a need to understand the dissonance between the reality of an object or a moment, its objective nature, and the meaning it takes on over time. These images hold space for that in-between: where growth is often imperceptible until viewed from a distance, and the past begins to look like a place that was always trying to lead somewhere new.
Overlaid with topographic laser scans, the photographs are re-read as terrain - acting as a framework for reevaluation. The black and white imprint left behind becomes a kind of permanent echo: not just of what was seen, but of how it was felt, interpreted, and eventually transformed.
The scans fracture and reconstitute the images, rendering them familiar yet altered. Documentation in which the act itself modifies the original - a record of internal motion mapped through the surfaces of external things.
The work emerged from a need to understand the dissonance between the reality of an object or a moment, its objective nature, and the meaning it takes on over time. These images hold space for that in-between: where growth is often imperceptible until viewed from a distance, and the past begins to look like a place that was always trying to lead somewhere new.