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"Memories Change."
"Memories Change."
"Memories Change."
An encounter with yourself, but displaced—where your gaze controls another body, another perspective. This is a 2nd person immersion: not quite you and not quite not them.
The face you move is not your own, yet it mirrors your motion. You steer, and something else responds. Through fragmented presence and digital mimicry, the self becomes a mechanism—externalized, detached, and oddly familiar.
In seeing yourself steer something else, you glimpse the edges of agency, of embodiment, of who is really moving who.
An encounter with yourself, but displaced—where your gaze controls another body, another perspective. This is a 2nd person immersion: not quite you and not quite not them.
The face you move is not your own, yet it mirrors your motion. You steer, and something else responds. Through fragmented presence and digital mimicry, the self becomes a mechanism—externalized, detached, and oddly familiar.
In seeing yourself steer something else, you glimpse the edges of agency, of embodiment, of who is really moving who.
An encounter with yourself, but displaced—where your gaze controls another body, another perspective. This is a 2nd person immersion: not quite you and not quite not them.
The face you move is not your own, yet it mirrors your motion. You steer, and something else responds. Through fragmented presence and digital mimicry, the self becomes a mechanism—externalized, detached, and oddly familiar.
In seeing yourself steer something else, you glimpse the edges of agency, of embodiment, of who is really moving who.
