My work investigates the unstable borders between memory, perception, and reality—spaces where the familiar fractures and alternate versions of truth emerge. Rooted in a philosophy I call "anecdotal empiricism," my practice bridges my background in data consulting with an intimate exploration of family, trauma, and identity. Through photography, film, and mixed-media installation, I manipulate both analog and digital processes to question how images become evidence of experience. This dual lens allows me to approach memory both as a site of personal rupture and as a system—constructed, distorted, and perpetually rewritten.